And there are still moments that are “vocal fireworks” even though she might be singing to herself, like an inner frustration. She’s more socially isolated, so she has moments where she’s singing inside her head.
#Amelie broadway how to
Yes, the story is about a quiet young girl who’s trying to find her voice, but she’s not so much shy or doesn’t know how to communicate. I’ve enjoyed exploring a softer tone of my voice. Even before I had seen any staging or read any scripts, the music informed me of the world we’d be creating: somewhere between real life and fantasy, which is where Amelie lives half the time. It’s whimsical and magical in places, when she creates these fantasy worlds that let her escape from her reality, whether it’s with a gnome or a goldfish. The music has a folky-ness and a contemporary feel to it, and it’s definitely got Parisian tones. Anybody who’s at that age or been that age can relate to finding yourself in this huge world, where you fit in and how you connect with others.īroadway Musicals That Have Sung Their Way to the Big Screen (Photos) Yes, it’s great to be independent and on your own journey, but also the relationships with family and friends that you create along the way are the ones you take with you forever.Īmelie comes to Paris to start her new life, and she does good deeds for everybody anonymously and thinks that can be her thing that connects her to other people - but of course, she’s doing them anonymously, so she’s not actually connecting with anybody. But as you step into your mid-20s, where I am now, you stop to realize how important it is to connect to people. I left home early, when I was 17 or 18, and it’s so exciting to be this independent person in this world, and you take every moment for yourself. What’s admirable about Amelie the character?Ī lot of people can relate to her because it’s an interesting journey of stepping into adulthood. If you completely loved the film, you’re going to love the musical. It really feels like you’re going along with her journey and exploring inside her head. And when I first heard only two or three songs, the style and tone were exactly how I’d pictured it, and I fell instantly in love with it. It’s so vibrant and the story is beautiful, and it seemed to me like something that would translate perfectly into a musical because of her moments of fantasy. If the tryout run goes well, it seems fair to speculate that Broadway might be next. But will the cult favorite, which follows an innocent young waitress coming of age in a whimsical version of modern-day Paris, catch the eye of theatergoers as a new musical adaptation debuts?ĭirected by Pam MacKinnon (a 2013 Tony winner for Who’s Afraid of Virginia Woolf?), the production from Berkeley Repertory Theatre ( American Idiot) features a book by Craig Lucas ( An American in Paris), music by Dan Messe of the Brooklyn neo-folk indie ensemble Hem, and lyrics by Messe and Nathan Tysen ( Tuck Everlasting).
1.“I like to look for things no one else catches,” says Amelie in the eponymous 2001 French film, which nabbed five Oscar nominations and became a massive foreign-language hit for Miramax.
In these uncertain times, Amélie is someone to believe in.ĭirected by Tony winnerPam MacKinnon (Who’s Afraid of Virginia Woolf?), with a book by Pulitzer Prize and Tony nominee Craig Lucas (The Light in the Piazza) and an original score by Daniel Messé and Nathan Tysen, AMÉLIEi s a heartwarming comedy that "proves that the world is better when we’re all in it together” (Paste Magazine). Come be inspired by this imaginative dreamer who finds her voice, discovers the power of connection and sees possibility around every corner. But when a chance at love comes her way, Amélie realizes that to find happiness she’ll have to risk everything and say what’s in her heart. She covertly improvises small, but surprising acts of kindness that bring joy and mayhem. Foy, Tony Sheldonĭescription: Tony® nominee Phillipa Soo returns to Broadway in AMÉLIE, a new musical based on the beloved five-time Oscar®-nominated film, and "an enchanting act of theatrical reinvention” (Los Angeles Times).Īmélie is an extraordinary young woman who lives quietly in the world, but loudly in her mind. Performer: Phillipa Soo, Adam Chanler-Berat, Manoel Felciano, Harriet D.
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